Showing posts with label Dan Ozzi. Show all posts
Showing posts with label Dan Ozzi. Show all posts

Sunday, July 27, 2025

Fahrenheit-182: A Humorous and Inspirational Memoir by Mark Hoppus of Blink-182

Fahrenheit-182: A Humorous and Inspirational Memoir by Mark Hoppus of Blink-182 by Mark Hoppus and Dan Ozzi

Mark Hoppus is the only person that has been a member of Blink-182 for the band's entire history. In his early life, he grew up in the Mojave desert. He was smart and did well in school. His family didn't have a whole lot of money, but they were not poor. Then his parents' marriage had issues. They separated and eventually divorced. There were violent boyfriends and other issues. Mark's sister chose to live with their mother, so Mark chose the father. They moved around a bit. Mark's academic performance faltered. He got into various substances and music. His first concert was They Might Be Giants in DC. He decided he liked to play bass. Later he managed get into a college in California, and lived with his Mom. His sister introduced him to Tom Delonge. They hit it off big and would form the nucleus of Blink-182.

The rest of the book is primarily related to the experience of the band. Even life events (like cancer) seem to be colored by the band. They were somewhat in the San Diego skate-punk scene, though there didn't seem to be a strong tie. Blink-182 was originally blink until another "blink" band sued. Their first concert had nobody in attendance. They had one guy at the next. However, they kept plugging away. Tom was the one that kept pushing for more goals and greater success. Scott, their first drummer was younger and more of an introvert. The book gently threads the issue of dumping him. Scott had a different personality and a drinking problem. He got booted and the band didn't talk to him much afterwards. Travis Barker was recruited from the Aquabats and that became the classic lineup.

They worked hard to get their break. Then they hit it big. They were willing to write poppy songs. They mocked boy bands and got pigeonholed as one. They ran around in nearly naked in a video. There were plenty of juvenile antics and jokes. There may be an undertext of this being a means to hide from concerns. Mark talks about many "one in a million" events. Travis was in a plane crash that killed others and left him burnt all over. Their producer died. Even a deer hit seemed to show tragedy. And later, Mark was diagnosed with cancer. The band became hugely popular. Then they broke up and did not-so-popular side projects. Then they got back together again to big success. Then Tom left again. This time they recruited another singer. They had some success. Finally after Mark's cancer treatment they got back together again as the original band.

The story is similar to other bands. There was a lot of hard work and a desire to succeed as well as lucky breaks. There was also plenty of tragedy of various types. There is very little that is taken outwardly very seriously. Even the cancer treatment was treated flippantly. The internal demons are a different story. How much of this is a facade and how much is just his way of looking at life?

Monday, June 02, 2025

Sellout: The Major-Label Feeding Frenzy That Swept Punk, Emo, and Hardcore (1994–2007)

Sellout: The Major-Label Feeding Frenzy That Swept Punk, Emo, and Hardcore (1994–2007) by Dan Ozzi

After Nirvana hit is big with Nevermind, record labels were looking for the next big thing to come out of the musical underground. They struck gold with a punk band from Northern California, Green Day. From that, they were after any other punk band that could write catchy tunes. However, the punk scene particularly eschewed major labels and "selling out". Purist punk clubs would prevent big punk bands such as Green Day from playing there. Once a band reached it big, they needed the reach of a major label, yet would alienate their fanbase by doing so. (I must confess my interest in Green Day waned after they hit it big. Though I also recall them complaining about not being able to get enough CDs and other merch from their record label.)

The book explores the different experiences of a number of bands after they "sold out." The major labels promised more money, but still required more work. Green Day had the songs, showmanship and drive to make it big, even if they did struggle with the loss of some of their old base. Jawbreaker had repeatedly said they would not sell out. Signing a major label deal alienated their fans and couldn't stop the disintegration of their band. Jimmy Eat World was from Arizona and didn't have to worry about alienated a "purist punk" fanbase. They sold before they had a huge base. They were able to grow a bit on the label, but were eventually dropped. (It did feel odd that the book stopped before their big hit, "The Middle". However, that does come up later in the discussion of other bands. Jimmy Eat World ended up self producing and then signing with another label.)

Blink-182 was from San Diego, a scene that is more into skate and surf than self-righteous punks. They were unabashedly going after the best deal they could get and were willing to work hard to go on a major label. 

The punk scene could be very snobbish. Some bands would encounter violence as they tried to perform after signing major record deals. Woman-lead bands could run into some of the sexism and sex-symbol desires.  I was a bit confused of the discussion of Against Me! The process of retro-gendering a trans person may align with current identity, but confuses the external identity of past times. (If you are referring to "her" wearing women's clothes, shouldn't that be "cis-dressing" rather than "cross-dressing"?) Some of the stories of bands I hadn't heard of before were quite interesting. (And now I want to listen to the bands.) There were a few near the end that did seem to go on for a bit too long, but that might have been since I didn't recognize the bands or their associates. Rancid does get an especially bad rap here for their self-righteous mistreatment of the Distillers.


The bands mentioned

  • Green Day
  • Jawbreaker
  • Jimmy Eat World
  • Blink-182
  • At the Drive-In
  • The Donnas
  • Thursday
  • The Distillers
  • My Chemical Romance
  • Rise Against
  • Against Me!