Showing posts with label emily janice card. Show all posts
Showing posts with label emily janice card. Show all posts

Friday, January 17, 2025

Laddertop 3

Laddertop 3: The Laddertop Series, Book 3 by Emily Janice Card and Orson Scott Card

Laddertop concludes with us discovering that there are "noble colonists" come to inhabit the earth. They are sending a giant colonizing mission that will involve wiping out humans and making earth fit for themselves. A few of the aliens have sympathy for the humans and hatch a plan to preserve them. They planted the laddertops and gave them the technology. The plan was to send a small group of humans off to another planet so that they could continue their society there. This would involve the destruction of the rest of humanity. However, this is better than complete annihilation. Nevertheless, humans are not fond of that. They discover a way to work together and use the technology to wipe out the colonization ship. They also communicate with some of the kind aliens and decide to work together It seems like an interesting parallel to colonial endeavors. What if a few Europeans had helped the Native Americans to use gunpowder to destroy European ships and then worked together to share technology? Well, disease would have still wiped out most of the native population. Fiction has the ability to ignore those messy details.

Tuesday, January 07, 2025

Laddertop 2

Laddertop 2: The Laddertop Series, Book 2 by Emily Janice Card and Orson Scott Card

The second Laddertop book ramps up the drama. There are "rebels" that are concerned about the unknowns of laddertop. They recruit a few kids and other scientists for their space mission. There is also some more information found about the special symbol. A space object is approaching the earth. Is it benevolent? Or is it bent on destruction? The book ends on a cliffhanger... That was not resolved for a decade. While these were first released as graphic novels, they have recently been moved to audiobooks, with the final book only as audiobook. There was a big cast for this, so some needed to be left off to get under the label limit.

Saturday, January 04, 2025

Laddertop, Volume 1

Laddertop by Emily Janice Card and Orson Scott Card

In this world, tweens seek to be admitted to "Laddertop". This is a special academy that trains them to travel up into space station. The technology in the station was given years ago by benevolent aliens and portions can only be accessed by children. The book follows a couple 11 year old girls who are selected to laddertop. Things get a little bit weird. The best children are selected by a technology that only the aliens understand. There are also a few kids that get special marking. Perhaps the aliens are not as benevolent as we thought.

Friday, May 14, 2021

Zanna's Gift: A Life in Christmases

Zanna's older brother is a hard working teenager who seems to understand Zanna's work better than others. Unfortunately, he passes away suddenly in his sleep. Zanna later learns that she had a twin sister that died at birth. She made a picture for him for Christmas that she continues to bring out every Christmas in memory of her lost brother. The novel continues the many Christmases from the great depression to the modern times. New members join the family. Many people die of various causes, but the "gift" continues.

Saturday, August 13, 2016

The Candy Shop War

A fifth grader moves to a new town over the summer. He reluctantly makes friends with some neighborhood kids. He doesn't want to perform the initiation task. However, standing up to the bullies is enough, and the four kids become good friends.

Shortly after the school year starts, they visit a new candy shop in town. While it seems to be a normal candy shop at first, they soon learn that it is run by a magician that dispenses magical candy. The magician cannot leave her "lair" and candy is most effective on young children. This leads to the children gradually getting involved in a magical war. They have to figure out who is good and who is bad and work to prevent potential calamities.

Candy Shop War is the type of fantasy that I enjoy. It is set in a "real" world. (In this case a fictional "Colson, California", situated in the outer Contra Costa county suburbs of San Francisco.) The people are mostly normal people who interact with a bit of magic in their normal world. The magic has "always" been there, but most of the people don't realize that it has existed. ("White Fudge" is an addictive sweet that further helps to make adults oblivious to the presence of the magic.) The story also takes many unexpected twists and turns without becoming implausible.
The magic system is also a great one. Who would suspect magical candy that only impacts children?

Thursday, August 29, 2013

Special Topics in Calamity Physics

Special Topics in Calamity Physics by Marisha Pessl 

D'oh. I typed a bunch and then it seemed to disappear. Uggh. Lets try again. I had initially thought this book was science fiction. The title seemed science-ish, and the narrator of the audiobook narrates many of Orson Scott Card's science fiction books (hmmm... probably since he is her father.) When there was a statement about someone feeling they were a 70 foot tall tree, a took that literally and was looking for some outlandish space travel. I totally missed the part about the death of a teacher.


The book is written in the style of a college course (with a final exam.) The chapters have titles of literary works, and there are plenty of annotations throughout. It is a great, innovative style that keeps things interesting without distracting from the work.

The narrator of the book is smart girl that loves books and movies, but has very little social experience. This is her coming of age story. Her mom died when she was five and she had lived with her dad, an itinerant college professor. Her senior year in high school, her dad finally agrees to let her settle down in one place, "Stockton, North Carolina."

The one peeve I had with the book is the pseudo-place names. There are abundantly quoted "real" works of literature and movies. However, almost all the names of places and universities are made up. (I even tried to look some up.) I prefer to have my places "real" or non-existent. Having "almost real" places is just annoying.

She tries to fit in with a group of drama nerds that hang around the film teacher. She does stuff with them, and they all have experiences together. At one point, they sneak into an "adult" party, and see somebody die by drowning. This brings the first significant tragedy to the group. Later, the group goes on a camping trip with the favorite teacher. During the trip, the narrator discovers the teacher hanged, and the others get lost. This destroys the balance of the group, and narrator finds herself outcast and looking for answers to how and why. The police deem it a suicide, but she doesn't buy that. Her quest eventually leads her to uncover a link between the teacher, a crime organization, the early murder and her father. After she shares this with her father, he disappears in the night, never to see her again. It turns out that the university work, though real, was cover for her father's work with the organization. She even knew many figures in the organization. She never did find out who had killed the teacher, but she did find out a lot about herself during the course of events.

The style keeps the book interesting. The pacing could use a little work. The start of the book mentions that it is about the murder of the teacher. However, it spends a long time getting there. Once it gets to that point, it quickly zooms to the crime conclusion. There is almost no time spent going down false paths or building up suspense. It seems as if it is a coming-of-age tale that just had to have a murder tacked on to allow it to be a "mystery". This final bit is also the key point that completely changes her relationship with her father (and thus alters her life.) I am fine with the sudden ending, but would have liked to see it balanced with less exposition. (Or if keeping all the earlier parts, it would be nice to balance the ending by exploring the relationships in more detail.) Luckily, the style (and constant literary allusions) kept it interesting, even when the substance slowed down.