Absalom, Absalom!

Absalom, Absalom! by William Faulkner

The novel fails like it should be a drama with a great musical score. The novel straddles the civil war, with Thomas Sutpen coming to Mississippi and building up a great plantation. He has strict racial views and disowns a wife and child after he learns that she has some black blood. He desperately wants a true heir. His next son seems good, but he flees after murdering his half-brother with white blood. Another woman births him a daughter. He is upset with this, which eventually leads to the woman's grandfather murdering Sutpen. The runaway heir later returns in tatters and dies in a fire. The dynasty is officially gone. The story is told from the view of people with connections to the Sutpen in the early 1900s. The strict southern beliefs end up leading to a similar downfall for a man. The narrator (now at Harvard in the early 1900s) ends by saying he does not hate the south. The book has great pageantry, though it is difficult to grasp the plot.

Faulkner Audio Collection

This Faulkner audio collection includes a selection of short stories read by various narrators as well as some excerpts and a Nobel Acceptance speech read by Faulkner himself. The stories are told with a bit of a southern twang and are understandable. Faulkner's bits, however, might as well be in a different language. The thick, soft-spoken southern accent strains the ear to hear. The stories themselves typically spend a long time with people in a southern culture and then have a gothic twist (often at the ending.) For example, in "Rose for Emily", Emily is a recluse that has recently passed away. Only at the end of the story do we discover the dead body that was stored in a room. It is interesting to ponder that at the time of the writing of some stories that the Civil War was more recent than the Korean War is to us today.

Stories included are:
Rose for Emily
The Evening Sun
Spotted Horses
Barn Burning
Wash

Light in August

Light in August tells the story of various people in the small town south. A preacher is disgraced by the bad behavior of his wife. However, he refuses to stop preaching until he is locked out of the church. He finally resigns, but refuses to leave town, even after he is attacked. Gradually, he is forgotten. Too guys make whiskey. They leave town after an incident where their land lord is murdered and house burned down. Later one of them comes back to try to collect a reward for the death of the lady. He claims his friend was having an affair. His credibility seems to go way down - until he brings out the trump card of his friend having negro blood. Now the town trusts him. (Were southerners really that racist?) He also had come to town to escape the pregnancy of a girl. Alas, she has followed him, and now has another guy chasing after her. The various stories are woven together with a timeline that flows back and forth to gradually provide backstory and action. The background helps explain the "scars" of the characters and why they behave the way they do. (Even though the civil war ended a few generations earlier, racism is still going strong.) While the primary characters get most of the print, there are other characters, such as a "wanna be military" gun nut. The storytelling also seamlessly switches between different styles, helping things to move along quickly. The novel was much better than I anticipated.

As I Lay Dying

I've realized that I just don't like Faulkner. I want to like his work because of the style in which in writes. However, I just don't like the content. The characters are mostly dysfunctional southerners who live a type of life I can't relate to. The language of some can be even more annoying. I just can't get arouse much sympathy or even hatred for the characters - just annoyance.

In this novel, the characters plan on the fulfil the wishes of burying mother in a nearby town. Each chapter is told from the view of a different character, and each seems to have their own ulterior motives. This leads to all sorts of bizarre and comedic things happening as they try to get mother to her proper burial spot.

The Sound and the Fury

The first time I read The Sound and The Fury, my reaction was "huh?" It seemed to be nothing more than some random scenes in the life of a dysfunctional southern family. Most seemed to be in Mississippi, but some Boston scenes are popped in the middle. Then it just ended. At first I thought it ended with a murder and escape, but after going over the end again, it was just a fast moving horse. So, again, huh?

Then I started again and it seemed to make sense. There really isn't much plot. Instead we have a number of different character studies told in styles representative of their current mental states. Most is told in a first person stream-of-conscious, though the end goes in a more traditional 3rd person narrative.

The first section is told from the perspective of a "lunatic" who is living in the now, but seamlessly jumps to events in his past, without really observing that they are anything other than current. This narrative weird narrative style works pretty well. However, the quality of the narrative seemed to be a little too strong for somebody with extremely limited mental capacities. At times he seems to be a fully normal adult, but then he drops down to a random event of the mentally challenged.

The second section breaks out of Mississippi and follows the brother at school in Boston. His mind is rapidly streaming everywhere, dredging up past problems with his family as well as issues with the world in general. At times, he has straightforward recollections of his family or live discussions with fisherman. At other times, his mind goes in to hyperdrive, rapidly linking thoughts and ideas and going in every which direction without any semblance of narrative. While this section can't be quickly read like a "plotty" narrative, the stream-of-conscious is done exceptionally well.

The last sections are more straightforward, and focus more on the money-centered Jason. After going through the wild thoughts of the others, this is rather pedestrian exploration of the dysfunctional family. However, storytelling is not Faulkner's strong point. The use of different writing styles to bring out characters is where he succeeds. His work reminds me of Jasper Fforde. It is great reading, but there is no engaging story that keeps you going.