Showing posts with label aaron johnston. Show all posts
Showing posts with label aaron johnston. Show all posts
Wednesday, September 11, 2019
The Hive: The Second Formic War, Book 2
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2019,
aaron johnston,
audiobooks,
books,
ender,
orson scott card,
science fiction
Sunday, June 25, 2017
The Swarm: The Second Formic War (Volume 1)
The author's seemed to go all George Lucas on the story. In the afterward, they acknowledged that there was not a whole lot of detail on Mazer in Ender's Game. Thus, they got to make an entire backstory to fulfill a couple small, nearly throwaway lines. It must have been a lot of fun to write the story. In reading it, you know how the main arc will turn out, but there are still plenty of sub-plots to keep things interesting. There are obviously going to be a few more books in this series.
Labels:
2016,
aaron johnston,
audiobooks,
books,
ender,
orson scott card,
science fiction,
stefan rudnicki
Saturday, November 29, 2014
Ender's World
What I found most interesting was some of the commentary about the end of Ender's Game. One started out describing how he initially wanted to change the ending to keep a strong "action" story. After reading again, he later realized the ending was useful after all and decided to keep it. I had almost the exact opposite experience. I did not care much for Ender's Game. It just seemed to be a lame action story. However, the ending really turned me on. It showed that there was some promise, and lead me to read the excellent sequel, Speaker for the Dead. (In one of the essays, Card mentions that the novel form with its ending was written to set up Speaker for the Dead.)
When Ender's Game was released, I was reading a lot of Science Fiction. However, I have no recollection of the story. Either it had no impact on me, or I never read it. (I'm guessing I never read it, since I did enjoy some of Card's other Mormon humor and Commodore 64 computer writings.)
Did Ender's Game really have a big role on literature and society? One essay talked about the true independent world-changing child protagonist. Previously, children would have things happen to them, but now it seems every story is lead by a child or a teenager. Was Ender's Game really that influential in bringing out the strong-willed child? Or did it just go along for the ride? The Narnia children did a pretty good job of saving the world on their own. Roald Dahl's children lead the narrative. Charlie Bucket may have been dominated by Willy Wonka's machinations, but Mathilda sure enacted plenty of change on her own. Today we have Percy Jackson, Hunger Games, Twilight and Harry Potter. All are stories where a child or teen needs to make decisions to help save the world. Have we swung too far in the direction of strong-willed child? Are adults just not interesting anymore? Do books need to be centered on functional adolescents to be successful?
Another interesting essay was from a military leader who used Ender's Game to train other military officers. I was amazed to hear that Card did not have any military experience. He seems to dive deeply into the experience of a true leader - the person that controls rather than the person that wears the stripes. I can see how the story would be useful in modelling leadership. The "crusty" military are concerned more with their own position and rank, and are more able to sit in an office than fight a war. The "leaders" need to be able to think on their own and value the goal above personal gain. (It is interesting to hear that both Card and the military leader were giddy about their meeting.)
Friday, November 21, 2014
Earth Awakens (The First Formic War)
Like the other books in this "first formic war" series, this is all action with just enough plot and character to cause conflict and keep things moving along. (This just leads itself to a Jerry Bruckheimer/Michael Bay summer action flick.) And in the action vein, it ends with a character discovering that this alien ship was only a scout ship that split off from a huge armada.
The "good" characters in the book always seem to know what to say and how to lead the other characters. The only real growth in character we see comes from the billionaire's son. He wants to be appreciated and wants to help, but he has trouble distinguishing between friend and enemy (and acting appropriately.) It is almost painful to watch him because we always know who will be good or bad (because the other characters are so black and white.)
The story is a fun quick read, but not something worth investing a lot of time.
Labels:
2014,
aaron johnston,
audiobooks,
books,
ender,
orson scott card,
science fiction,
stefan rudnicki
Sunday, September 15, 2013
Earth Afire
The novel follows a few distinct characters. We have Mazer Rackham in China. He seems to be near death a few times, but we know from Ender's Game that he will survive. We also have Victor Delgado and his attempt to fight through red tape to warn the earth. He only succeeds by working with the evil conglomerate that helped destroy his livelihood and kill a family member. The story pulls in a few tear-jerkers as well as a nuanced social relationships. (Good guys show their bad parts, and bad guys show their good sides.
I wonder how much each of the authors contributed to the story. Usually, when a story is credited to a famous author and a not-so-famous co-author, I assume that the co-author did most of the work, with the author merely lending their name and perhaps the "big idea" for the story. This story does, however, seem to adhere closely to Card's writing style. Perhaps Johnston is really good at mimicking, or Card really did have a lot of involvement in the writing. I just wish they would finish the whole thing, rather than leaving it on a cliffhanger with a "yet-to-be-released" next book. (And Card has the nasty habit of losing interest in his series before tying things up. (cough) Alvin Maker.
Labels:
2013,
aaron johnston,
audiobooks,
books,
ender,
orson scott card,
science fiction
Wednesday, January 16, 2013
Earth Unaware
If you try to read Earth Unaware as a stand-alone book you will be disappointed. It ends seemingly in the middle of a great invasion of earth. There is an entire subplot about ultra-special military commandos that has absolutely nothing to do with the main plot.
Yep, this is obviously the first in a series. From the author's web site, the sequel has been completed for sometime, but is just waiting for a later release.
This is also geared at fans of the Ender series. We get the first look at the "Formics" and their invasion of earth. We also view a young Mazer Rackham. He would later go on to be a mentor and an important figure in the formic wars in Ender's Game.
The story in this book centers around a "free mining" ship that is mining an asteroid. They happen to spot something unusual in the distance that looks like an alien spacecraft. However, they just sit on the information. It just so happens that some evil corporate types want to test some of their weapons by blowing up the same asteroid. They bump the miners off the asteroid, destroying their communication equipment and hurting a miner in the process. The miners are now drifting through space, trying to rendezvous with another ship. However, when they get there, they find the ship is destroyed. They hunt for survivors (and find a few). They also have a live encounter with some of the formics. Now, they really need to tell the world. To do so, one boy goes back to the moon in a cargo ship, while the main ship eventually hooks up with the evil corporates and some "nice corporates" to try to battle the formics. They are not successful, with one ship destroyed and the others leaving. Eventually, the boy (Victor Delgado) makes it to the moon, but gets caught in bureaucracy. He tries to post the "alien video" on the nets - but we are shown lots of "fake video" making it seem unlikely they will succeed.
The book centers primarily around Victor. However, the most interesting character is Lern Jukes, the nominal captain of the corporate ship. He is the heir to the corporate fortune. However, he does not feel respected by his father. He wants to show a successful mission. However, he is constantly torn between doing what is "right" and what will bring "corporate success". He finds himself often justifying behaviors that he knows are "wrong". Yet, he has difficulty bringing out a full justification. He is upset that the crew seems to disobey his orders, often killing people or letting men die in the name of his safety. (However, it usually turned out that if they wouldn't have done that, everyone would have ended up dead.) In the end, he discovers that he is not even in control of the ship - his father had set up the security officer as the one ultimately in control.
All in all it is a good "first act" of a thriller. There is not a whole lot of "deep meaning" here. For the first part in a trilogy, there are not a whole lot of loose ends. (It seems the formic ship does a good job of blowing away potential loose ends.)
I wonder how much of the book was by Card, and how much by Johnston. My gut says "This is Card's Universe", so Johnston probably wrote the majority, with Card only helping out to give it some credibility. I can see him saying. "Yo! Scott! This Ender movie is coming out, and you have people hungry for more, and you are stuck creating new universes. Here is my idea for the prequel. You make some edits and lets release it." Card then rewrites a few sections and the book fits in with his style and it gets released in a hurry.
It does fit well with Card's style. I like almost everything that he has written, but love very few. He is a good "safe" author. I'm not likely to be overly disappointed. While I read plenty of science fiction in the 80s and 90s, I never read any of Card's SF work. However, at the time, I had known of him well, and read many of his works. I remember a Mormon humour book and a few good articles in Commodore 64 computer magazines like Ahoy! It wasn't until a few decades later that I heard somebody mention "Orson Scott Card" as one of the science fiction writers they really loved. Hmm... (However, the person wasn't somebody that I tended to have common tastes, so I brushed it aside until later.) Ender's Game was ok. It wasn't awful, but didn't drive me to read more. However, Speaker for the Dead was great, and that got me on the whole kick.
At the end of the Earth Unaware audiobook, there is a brief interview with Card. He mentions that he is a huge fan of audiobooks. (I share that with him.) He also mentioned that his favorite authors are Jane Austen and J.R.R. Tolkien. (I definitely don't share that with him. Those are the two most sleep-inducing authors I have attempted to read.)
Labels:
2012,
aaron johnston,
books,
ender,
J.R.R. Tolkien,
jane eyre,
orson scott card,
science fiction
Wednesday, May 26, 2010
Invasive Procedures
The bad guys save dying children, feed the homeless, and have a goal of curing the world. The good guys, on the other hand, commandeer cars, prevent kids from being healed, and let others die in a burning building. The moral ambiguity makes this a tough read. The author clearly wants you to side with the "good guys".
On the outset, the "bad guys" do have a convincing case. The case is only hurt by the auto-deification of the scientist leader. He wants to heal world with his genetic cures. However, to do this, he attempts to duplicate himself in others, as well as use mind-control techniques and coercion to control people.
The principle argument seems to be of speed versus thoroughness. Is it worthwhile to rush in cures before all the details are known? This may be the only way to save certain people. However, it could also hurt others. (In this books, personalized "cures" bring about near instant death of others.)
The book supports the view that slow, steady progress in medicine is best. However, does this just leave the bad guys to pursue really bad viruses on their own? Is limiting progress a good thing, especially when knowledge is out there on how to work otherwise.
Another key element in the book is "brain control". While the evil scientist can duplicate his DNA in others, he still needs to be able to duplicate his mind. He does this by implanting his "memories" in others' minds. This, however, has unforeseen consequences as the recipients end up combing their original memories with his implanted ones.
This book explores a lot of interesting subject matter. However, the characters and storytelling have a lot to be desired .
Labels:
2007,
aaron johnston,
biology,
books,
orson scott card,
science fiction
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